She has performed frequently with the company since then in roles including Donna Elvira in Don Giovanni, Gutrune inGötterdämmerung, and Kristina in The Makropoulos Case. Immediately after winning the Metropolitan Opera National Council Auditions in 1992, Marie Plette was invited to make her Metropolitan Opera debut as the First Lady in Die Zauberflöte. Marie Plette’s past season highlights include performances of the title role inIphigenia in Tauris for her return to Seattle Opera Cio-Cio San in Madama Butterfly with San Francisco Opera Larina in Eugene Onegin with Lyric Opera of Chicago the title role in Tosca with Sacramento Opera performances of Cio-Cio San with Arkansas Symphony Orchestra Countess in Le nozze di Figaro with Arizona Opera Strauss’s Vier letzte Lieder with the Phoenix Symphony Donna Elvira in Don Giovanni and Antonia in Les Contes d’ Hoffmann, bothwith Seattle Opera and reprises of Freia in Das Rheingold and Gutrune in Götterdämmerung, as well as Ortlinde in Die Walküre, in Seattle Opera’s Ring Cycle.
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